- I didn't want page numbers on my book because I had numbered the tips and i thought there were too many numbers on one page and it was confusing for the eye. BUT page numbers make it much easier to work out the order when sewing. I made a big mistake which I luckily noticed just before it was too late- i sewed and glued a signature in the wrong place and i had to start the sewing again.
- If possible, keep a spare piece of paper around the edge of it to try and keep the pages clean.
- Its really important to get the spine width right once printed. My book was a lot smaller than the paper i had printed onto (allows a neater trim to right size) and it took a tedious amount of time to work out the correct measurements for everything- it all has to be very precise. The best thing is to stitch and glue the book , measure how big the spine has to be and then adjust the cover and print while the glue is drying.
Tuesday, 8 February 2011
Binding a book is stressful.
Monday, 7 February 2011
Jewellery Price...
Printing
- Package the InDesign document. This ensures the computer knows where all the images are kept and makes it much easier when printing
- Work out how many signatures needed and send each one to the printer separately
- Make sure the InDesign document size is the size you want it before printing
Final Cover
- positioning of the illustration
- sideways 101 the same size as pig
- size of the cover- the size of the spine/ the distance between the front and back when printing
- whether brown paper will actually work in a printer or will i have to screen print?
- brown paper is too thin as a cover for what i want to do, i will have to mount it on some thicker card.. is this possible when soft binding a book, or will it pucker?
Sunday, 6 February 2011
- MONDAY AM: (1) Print book (booked into Blenheim digital print 10am)
- TUESDAY: (1) Bind book (2) start assembling jewellery for exhibition (3) Print off postcard for exhibition (3)
- WEDNESDAY: (1) Help set up exhibition (2) Assemble jewellery
- THURSDAY: (1) Set up exhibition
- DEADLINE
Title
Saturday, 5 February 2011
Friday, 4 February 2011
Popcorn 2
Honey Body Scrub 2
Thursday, 3 February 2011
Wednesday, 2 February 2011
Audience
- I am creating the book for debt advisers to give out to clients for free. The debt advisor company will buy the books and give them to their struggling clients.
Type...
- I think it is more formal so fits with the target audience and it makes it look "old- fashioned" fitting with my victorian style silhouette illustrations.
- Gives the impression that these tips have been tried and tested: passed down from generation to generation. This links with the fact that I personally asked people for their money saving top tip.
- The fact that the illustrations are black and white means that it can be printed and made really cheaply: for the debt advisers and their clients they will be more interested in the content rather than the appearance, although this does still matter as it need to be appealing
Final Crit 02/02/11
- Choose font in relation to audience
- Decide on audience- a cheap or free book for a hard- up audience or a beautifully produced art book for an audience of collectors?
Curatorship:
Curator Responsibilities:http://en.wikipedia.org/wiki/Curator
In smaller organizations, a curator may have sole responsibility for the acquisition and care of objects. The curator will make decisions regarding what objects to collect, oversee their care and documentation, conduct research based on the collection, provide proper packaging of art for transport, and share that research with the public and scholarly community through exhibitions and publications. In very small volunteer-based museums, such as local historical societies, a curator may be the only paid staff member.
In larger institutions, the curator's primary function is as a subject specialist, with the expectation that he or she will conduct original research on objects and guide the organization in its collecting. Such institutions can have multiple curators, each assigned to a specific collecting area (e.g. Curator of Ancient Art, Curator of Prints and Drawings, etc.) and often operating under the direction of a head curator. In such organizations, the physical care of the collection may be overseen by museum collections managers or museum conservators, and documentation and administrative matters (such as insurance and loans) are handled by a museum registrar.














